Music & Film Reviews — Spencer Nafekh

Mount Kimbie Swerve Into 'The Sunset Violent'

Movie Review: City of Wind (2023) by Lkhagvadulam Purev-Ochir

Moor Mother’s 'The Great Bailout' Is Fuel for the Future

Queens of the Stone Age Dial Back the Intensity with 'In Times New Roman…'

Scene of the Week #8: Dead or Alive (1999) by Takashi Miike

Film Review: Table for Six 2 (2024) by Sunny Chan Wing-Sun

Jane Remover's 'Census Designated' Balances Calamity and Quietude

Armand Hammer's 'We Buy Diabetic Test Strips' Is Conspiratorial and Commanding

Beautiful Experiments – The Most Overlooked Works of Shinya Tsukamoto

CANDY Sweeten Their Righteous Rage on 'Heaven Is Here'

Liquid Mike Rise to the Occasion with 'Paul Bunyan's Slingshot'

Film Review: Project Wolf Hunting (2022) by Kim Hong-sun

Hatebreed Are Surprisingly Uplifting on 'Weight of the False Self'

Uniform's 'Shame' Will Make You Feel Uncomfortable in Your Own Skin

Film Review: Evil Dead Trap (1988) by Toshiharu Ikeda

Film Review: Secret Sunshine (2007) by Lee Chang-dong

Moor Mother - ‘Analog Fluids of Sonic Black Holes’

Documentary Review: Sagal: Snake and Scorpion (2023) by Lee Dongwoo

Jaakko Eino Kalevi - ‘Dissolution’

Caroline Polachek - 'Pang'

The Garden - ‘Kiss My Super Bowl Ring’

Film Review: Arisaka (2021) by Mikhail Red

Boris - ‘LφVE & EVφL’

'L'Ère du Verseau' Reminds Us That Yelle Are Here to Stay

Movie of the Week #4: Spencer Nafekh picks Vital (2004) by Shinya Tsukamoto

Mogwai Cast a Post-Rock Spell in Montreal - Corona Theatre, April 9